SF Camerawork presents And Yet, We See, a solo exhibition by Iranian-born photographer and multimedia artist Nasim Moghadam, curated by Zoë Latzer, at Fort Mason Center For Arts & Culture. The exhibition invites audiences to encounter immersive photographic installations that explore visibility, agency, and resilience in the face of erasure.

For more than a decade, Moghadam has developed a practice that transforms photography into sculptural forms and site-specific installations. Her work layers images, textures, and materials to create environments that honor courage, bear witness, and amplify voices often suppressed under surveillance and oppression. Across the gallery, photographs become physical and conceptual gestures, prompting reflection on what it means to see – and to be seen – when power seeks to erase presence.
“In And Yet, We See, Nasim Moghadam’s photography transforms images into acts of witnessing,” says curator Zoë Latzer. “Her work makes visible what power seeks to erase and invites us to confront the agency, courage, and resilience of those who are often made invisible.”
And Yet, We See transforms the gallery into a space of witness, reflection, and engagement, offering audiences the opportunity to experience photography as both image and immersive encounter.
Born in Tehran, Nasim Moghadam holds an MFA in Studio Art and a BFA in Graphic Design. Her work has been exhibited internationally and at San Francisco Bay Area venues including SFMOMA’s Soapbox Derby, SOMArts, Southern Exposure, Museum of Craft and Design, Minnesota Street Project, Root Division, and Kala Art Gallery.
She has received awards from the Foundation for Contemporary Arts and the H.A.R.D. Foundation, and completed residencies at Recology, Kala Art Institute, Cubberley Artist Studio Program, and Building 180.
January 20, 2026 through May 9, 2026
Tuesday through Saturday, 11:00 a.m. to 6:00 p.m.
Opening Reception With The Artist: Saturday, January 24, 2026, 5:00 p.m. to 7:00 p.m.
Building A, Fort Mason Center for Arts & Culture, 2 Marina Boulevard, San Francisco
Free
Nasim Moghadam’s And Yet, We See is on view at SF Camerawork.
SF Camerwork:
SFCamerawork.org
(415) 487-1011
info@SFCamerawork.org
Nasim Moghadam (Artist):
NasimMoghadam.com
nasimmoghadam77@gmail.com
Zoë Latzer (Curator):
ZoeLatzer.com
Sign up today for the latest news from Fort Mason Center For Arts & Culture.
SF Camerawork presents And Yet, We See, a solo exhibition by Iranian-born photographer and multimedia artist Nasim Moghadam, curated by Zoë Latzer, at Fort Mason Center For Arts & Culture. The exhibition invites audiences to encounter immersive photographic installations that explore visibility, agency, and resilience in the face of erasure.

For more than a decade, Moghadam has developed a practice that transforms photography into sculptural forms and site-specific installations. Her work layers images, textures, and materials to create environments that honor courage, bear witness, and amplify voices often suppressed under surveillance and oppression. Across the gallery, photographs become physical and conceptual gestures, prompting reflection on what it means to see – and to be seen – when power seeks to erase presence.
“In And Yet, We See, Nasim Moghadam’s photography transforms images into acts of witnessing,” says curator Zoë Latzer. “Her work makes visible what power seeks to erase and invites us to confront the agency, courage, and resilience of those who are often made invisible.”
And Yet, We See transforms the gallery into a space of witness, reflection, and engagement, offering audiences the opportunity to experience photography as both image and immersive encounter.
Born in Tehran, Nasim Moghadam holds an MFA in Studio Art and a BFA in Graphic Design. Her work has been exhibited internationally and at San Francisco Bay Area venues including SFMOMA’s Soapbox Derby, SOMArts, Southern Exposure, Museum of Craft and Design, Minnesota Street Project, Root Division, and Kala Art Gallery.
She has received awards from the Foundation for Contemporary Arts and the H.A.R.D. Foundation, and completed residencies at Recology, Kala Art Institute, Cubberley Artist Studio Program, and Building 180.
January 20, 2026 through May 9, 2026
Days & hours vary, see SF Camerawork’s current hours
Opening Reception With The Artist: Saturday, January 24, 2026, 5:00 p.m. to 7:00 p.m.
Building A, Fort Mason Center for Arts & Culture, 2 Marina Boulevard, San Francisco
Free
Nasim Moghadam’s And Yet, We See is on view at SF Camerawork.
SF Camerwork:
SFCamerawork.org
(415) 487-1011
info@SFCamerawork.org
Nasim Moghadam (Artist):
NasimMoghadam.com
nasimmoghadam77@gmail.com
Zoë Latzer (Curator):
ZoeLatzer.com
Sign up today for the latest news from Fort Mason Center For Arts & Culture.
SF Camerawork presents And Yet, We See, a solo exhibition by Iranian-born photographer and multimedia artist Nasim Moghadam, curated by Zoë Latzer, at Fort Mason Center For Arts & Culture. The exhibition invites audiences to encounter immersive photographic installations that explore visibility, agency, and resilience in the face of erasure.

For more than a decade, Moghadam has developed a practice that transforms photography into sculptural forms and site-specific installations. Her work layers images, textures, and materials to create environments that honor courage, bear witness, and amplify voices often suppressed under surveillance and oppression. Across the gallery, photographs become physical and conceptual gestures, prompting reflection on what it means to see – and to be seen – when power seeks to erase presence.
“In And Yet, We See, Nasim Moghadam’s photography transforms images into acts of witnessing,” says curator Zoë Latzer. “Her work makes visible what power seeks to erase and invites us to confront the agency, courage, and resilience of those who are often made invisible.”
And Yet, We See transforms the gallery into a space of witness, reflection, and engagement, offering audiences the opportunity to experience photography as both image and immersive encounter.
Born in Tehran, Nasim Moghadam holds an MFA in Studio Art and a BFA in Graphic Design. Her work has been exhibited internationally and at San Francisco Bay Area venues including SFMOMA’s Soapbox Derby, SOMArts, Southern Exposure, Museum of Craft and Design, Minnesota Street Project, Root Division, and Kala Art Gallery.
She has received awards from the Foundation for Contemporary Arts and the H.A.R.D. Foundation, and completed residencies at Recology, Kala Art Institute, Cubberley Artist Studio Program, and Building 180.
January 20, 2026 through May 9, 2026
Days & hours vary, see SF Camerawork’s current hours
Opening Reception With The Artist: Saturday, January 24, 2026, 5:00 p.m. to 7:00 p.m.
Building A, Fort Mason Center for Arts & Culture, 2 Marina Boulevard, San Francisco
Free
Nasim Moghadam’s And Yet, We See is on view at SF Camerawork.
SF Camerwork:
SFCamerawork.org
(415) 487-1011
info@SFCamerawork.org
Nasim Moghadam (Artist):
NasimMoghadam.com
nasimmoghadam77@gmail.com
Zoë Latzer (Curator):
ZoeLatzer.com
Sign up today for the latest news from Fort Mason Center For Arts & Culture.
SF Camerawork presents And Yet, We See, a solo exhibition by Iranian-born photographer and multimedia artist Nasim Moghadam, curated by Zoë Latzer, at Fort Mason Center For Arts & Culture. The exhibition invites audiences to encounter immersive photographic installations that explore visibility, agency, and resilience in the face of erasure.

For more than a decade, Moghadam has developed a practice that transforms photography into sculptural forms and site-specific installations. Her work layers images, textures, and materials to create environments that honor courage, bear witness, and amplify voices often suppressed under surveillance and oppression. Across the gallery, photographs become physical and conceptual gestures, prompting reflection on what it means to see – and to be seen – when power seeks to erase presence.
“In And Yet, We See, Nasim Moghadam’s photography transforms images into acts of witnessing,” says curator Zoë Latzer. “Her work makes visible what power seeks to erase and invites us to confront the agency, courage, and resilience of those who are often made invisible.”
And Yet, We See transforms the gallery into a space of witness, reflection, and engagement, offering audiences the opportunity to experience photography as both image and immersive encounter.
Born in Tehran, Nasim Moghadam holds an MFA in Studio Art and a BFA in Graphic Design. Her work has been exhibited internationally and at San Francisco Bay Area venues including SFMOMA’s Soapbox Derby, SOMArts, Southern Exposure, Museum of Craft and Design, Minnesota Street Project, Root Division, and Kala Art Gallery.
She has received awards from the Foundation for Contemporary Arts and the H.A.R.D. Foundation, and completed residencies at Recology, Kala Art Institute, Cubberley Artist Studio Program, and Building 180.
January 20, 2026 through May 9, 2026
Days & hours vary, see SF Camerawork’s current hours
Opening Reception With The Artist: Saturday, January 24, 2026, 5:00 p.m. to 7:00 p.m.
Building A, Fort Mason Center for Arts & Culture, 2 Marina Boulevard, San Francisco
Free
Nasim Moghadam’s And Yet, We See is on view at SF Camerawork.
SF Camerwork:
SFCamerawork.org
(415) 487-1011
info@SFCamerawork.org
Nasim Moghadam (Artist):
NasimMoghadam.com
nasimmoghadam77@gmail.com
Zoë Latzer (Curator):
ZoeLatzer.com
Sign up today for the latest news from Fort Mason Center For Arts & Culture.
SF Camerawork presents And Yet, We See, a solo exhibition by Iranian-born photographer and multimedia artist Nasim Moghadam, curated by Zoë Latzer, at Fort Mason Center For Arts & Culture. The exhibition invites audiences to encounter immersive photographic installations that explore visibility, agency, and resilience in the face of erasure.

For more than a decade, Moghadam has developed a practice that transforms photography into sculptural forms and site-specific installations. Her work layers images, textures, and materials to create environments that honor courage, bear witness, and amplify voices often suppressed under surveillance and oppression. Across the gallery, photographs become physical and conceptual gestures, prompting reflection on what it means to see – and to be seen – when power seeks to erase presence.
“In And Yet, We See, Nasim Moghadam’s photography transforms images into acts of witnessing,” says curator Zoë Latzer. “Her work makes visible what power seeks to erase and invites us to confront the agency, courage, and resilience of those who are often made invisible.”
And Yet, We See transforms the gallery into a space of witness, reflection, and engagement, offering audiences the opportunity to experience photography as both image and immersive encounter.
Born in Tehran, Nasim Moghadam holds an MFA in Studio Art and a BFA in Graphic Design. Her work has been exhibited internationally and at San Francisco Bay Area venues including SFMOMA’s Soapbox Derby, SOMArts, Southern Exposure, Museum of Craft and Design, Minnesota Street Project, Root Division, and Kala Art Gallery.
She has received awards from the Foundation for Contemporary Arts and the H.A.R.D. Foundation, and completed residencies at Recology, Kala Art Institute, Cubberley Artist Studio Program, and Building 180.
January 20, 2026 through May 9, 2026
Days & hours vary, see SF Camerawork’s current hours
Opening Reception With The Artist: Saturday, January 24, 2026, 5:00 p.m. to 7:00 p.m.
Building A, Fort Mason Center for Arts & Culture, 2 Marina Boulevard, San Francisco
Free
Nasim Moghadam’s And Yet, We See is on view at SF Camerawork.
SF Camerwork:
SFCamerawork.org
(415) 487-1011
info@SFCamerawork.org
Nasim Moghadam (Artist):
NasimMoghadam.com
nasimmoghadam77@gmail.com
Zoë Latzer (Curator):
ZoeLatzer.com
Sign up today for the latest news from Fort Mason Center For Arts & Culture.
SF Camerawork presents And Yet, We See, a solo exhibition by Iranian-born photographer and multimedia artist Nasim Moghadam, curated by Zoë Latzer, at Fort Mason Center For Arts & Culture. The exhibition invites audiences to encounter immersive photographic installations that explore visibility, agency, and resilience in the face of erasure.

For more than a decade, Moghadam has developed a practice that transforms photography into sculptural forms and site-specific installations. Her work layers images, textures, and materials to create environments that honor courage, bear witness, and amplify voices often suppressed under surveillance and oppression. Across the gallery, photographs become physical and conceptual gestures, prompting reflection on what it means to see – and to be seen – when power seeks to erase presence.
“In And Yet, We See, Nasim Moghadam’s photography transforms images into acts of witnessing,” says curator Zoë Latzer. “Her work makes visible what power seeks to erase and invites us to confront the agency, courage, and resilience of those who are often made invisible.”
And Yet, We See transforms the gallery into a space of witness, reflection, and engagement, offering audiences the opportunity to experience photography as both image and immersive encounter.
Born in Tehran, Nasim Moghadam holds an MFA in Studio Art and a BFA in Graphic Design. Her work has been exhibited internationally and at San Francisco Bay Area venues including SFMOMA’s Soapbox Derby, SOMArts, Southern Exposure, Museum of Craft and Design, Minnesota Street Project, Root Division, and Kala Art Gallery.
She has received awards from the Foundation for Contemporary Arts and the H.A.R.D. Foundation, and completed residencies at Recology, Kala Art Institute, Cubberley Artist Studio Program, and Building 180.
January 20, 2026 through May 9, 2026
Days & hours vary, see SF Camerawork’s current hours
Opening Reception With The Artist: Saturday, January 24, 2026, 5:00 p.m. to 7:00 p.m.
Building A, Fort Mason Center for Arts & Culture, 2 Marina Boulevard, San Francisco
Free
Nasim Moghadam’s And Yet, We See is on view at SF Camerawork.
SF Camerwork:
SFCamerawork.org
(415) 487-1011
info@SFCamerawork.org
Nasim Moghadam (Artist):
NasimMoghadam.com
nasimmoghadam77@gmail.com
Zoë Latzer (Curator):
ZoeLatzer.com
Sign up today for the latest news from Fort Mason Center For Arts & Culture.
SF Camerawork presents And Yet, We See, a solo exhibition by Iranian-born photographer and multimedia artist Nasim Moghadam, curated by Zoë Latzer, at Fort Mason Center For Arts & Culture. The exhibition invites audiences to encounter immersive photographic installations that explore visibility, agency, and resilience in the face of erasure.

For more than a decade, Moghadam has developed a practice that transforms photography into sculptural forms and site-specific installations. Her work layers images, textures, and materials to create environments that honor courage, bear witness, and amplify voices often suppressed under surveillance and oppression. Across the gallery, photographs become physical and conceptual gestures, prompting reflection on what it means to see – and to be seen – when power seeks to erase presence.
“In And Yet, We See, Nasim Moghadam’s photography transforms images into acts of witnessing,” says curator Zoë Latzer. “Her work makes visible what power seeks to erase and invites us to confront the agency, courage, and resilience of those who are often made invisible.”
And Yet, We See transforms the gallery into a space of witness, reflection, and engagement, offering audiences the opportunity to experience photography as both image and immersive encounter.
Born in Tehran, Nasim Moghadam holds an MFA in Studio Art and a BFA in Graphic Design. Her work has been exhibited internationally and at San Francisco Bay Area venues including SFMOMA’s Soapbox Derby, SOMArts, Southern Exposure, Museum of Craft and Design, Minnesota Street Project, Root Division, and Kala Art Gallery.
She has received awards from the Foundation for Contemporary Arts and the H.A.R.D. Foundation, and completed residencies at Recology, Kala Art Institute, Cubberley Artist Studio Program, and Building 180.
January 20, 2026 through May 9, 2026
Days & hours vary, see SF Camerawork’s current hours
Opening Reception With The Artist: Saturday, January 24, 2026, 5:00 p.m. to 7:00 p.m.
Building A, Fort Mason Center for Arts & Culture, 2 Marina Boulevard, San Francisco
Free
Nasim Moghadam’s And Yet, We See is on view at SF Camerawork.
SF Camerwork:
SFCamerawork.org
(415) 487-1011
info@SFCamerawork.org
Nasim Moghadam (Artist):
NasimMoghadam.com
nasimmoghadam77@gmail.com
Zoë Latzer (Curator):
ZoeLatzer.com
Sign up today for the latest news from Fort Mason Center For Arts & Culture.
SF Camerawork presents And Yet, We See, a solo exhibition by Iranian-born photographer and multimedia artist Nasim Moghadam, curated by Zoë Latzer, at Fort Mason Center For Arts & Culture. The exhibition invites audiences to encounter immersive photographic installations that explore visibility, agency, and resilience in the face of erasure.

For more than a decade, Moghadam has developed a practice that transforms photography into sculptural forms and site-specific installations. Her work layers images, textures, and materials to create environments that honor courage, bear witness, and amplify voices often suppressed under surveillance and oppression. Across the gallery, photographs become physical and conceptual gestures, prompting reflection on what it means to see – and to be seen – when power seeks to erase presence.
“In And Yet, We See, Nasim Moghadam’s photography transforms images into acts of witnessing,” says curator Zoë Latzer. “Her work makes visible what power seeks to erase and invites us to confront the agency, courage, and resilience of those who are often made invisible.”
And Yet, We See transforms the gallery into a space of witness, reflection, and engagement, offering audiences the opportunity to experience photography as both image and immersive encounter.
Born in Tehran, Nasim Moghadam holds an MFA in Studio Art and a BFA in Graphic Design. Her work has been exhibited internationally and at San Francisco Bay Area venues including SFMOMA’s Soapbox Derby, SOMArts, Southern Exposure, Museum of Craft and Design, Minnesota Street Project, Root Division, and Kala Art Gallery.
She has received awards from the Foundation for Contemporary Arts and the H.A.R.D. Foundation, and completed residencies at Recology, Kala Art Institute, Cubberley Artist Studio Program, and Building 180.
January 20, 2026 through May 9, 2026
Days & hours vary, see SF Camerawork’s current hours
Opening Reception With The Artist: Saturday, January 24, 2026, 5:00 p.m. to 7:00 p.m.
Building A, Fort Mason Center for Arts & Culture, 2 Marina Boulevard, San Francisco
Free
Nasim Moghadam’s And Yet, We See is on view at SF Camerawork.
SF Camerwork:
SFCamerawork.org
(415) 487-1011
info@SFCamerawork.org
Nasim Moghadam (Artist):
NasimMoghadam.com
nasimmoghadam77@gmail.com
Zoë Latzer (Curator):
ZoeLatzer.com
Sign up today for the latest news from Fort Mason Center For Arts & Culture.
Discover the best new art and support artists at The Superfair San Francisco 2026 fine art fair at Fort Mason Center For Arts & Culture (FMCAC).
More than 160 top contemporary artists await art lovers for four days only at the FMCAC campus. Superfair visitors experience a friendly environment, affordable price points, and unique opportunities to meet emerging artists heading for global status.
Envision your home, filled with moments of wonder. At Superfine Art Fair, you meet unique, dedicated, uncommonly talented artists creating inspiring art. Find artwork that resonates with you, direct from the artist, and bring your walls to life.
Superfair’s legendary special programs are the perfect complement to a weekend filled with discovering thousands of original works of art.
Enjoy Disco Mermaid Opening Night, custom collector tours, live music, live art demos, performance art, and interactive installations. Savor local coffee, food, and spirits.
Sip cocktails with FrameLine’s movers and shakers while enjoying a selection of LGBTQ+ shorts programming. Experience the live installation of H.P. Mendoza’s ATTACK-DECKAY-RELEASE! alongside live art demos, the Combsy Liquid Light show, and DJ sets.
March 19 to 22, 2026
Thursday & Friday: 4:00 p.m. to 10:00 p.m.
Saturday: 10:00 a.m. to 8:00 p.m.
Sunday: 10:00 a.m. to 6:00 p.m.
Gateway Pavilion, Pier 2, Fort Mason Center for Arts & Culture, 2 Marina Boulevard, San Francisco
$25 to $150
The Superfair San Francisco 2026:
TheSuperfair.com/san-francisco
alex@TheSuperfair.com
FrameLine:
FrameLine.org
(415) 703-8650
info@FrameLine.org
H. P. Mendoza:
HPMendoza.com
Sign up today for the latest news from Fort Mason Center For Arts & Culture.
SF Camerawork presents And Yet, We See, a solo exhibition by Iranian-born photographer and multimedia artist Nasim Moghadam, curated by Zoë Latzer, at Fort Mason Center For Arts & Culture. The exhibition invites audiences to encounter immersive photographic installations that explore visibility, agency, and resilience in the face of erasure.

For more than a decade, Moghadam has developed a practice that transforms photography into sculptural forms and site-specific installations. Her work layers images, textures, and materials to create environments that honor courage, bear witness, and amplify voices often suppressed under surveillance and oppression. Across the gallery, photographs become physical and conceptual gestures, prompting reflection on what it means to see – and to be seen – when power seeks to erase presence.
“In And Yet, We See, Nasim Moghadam’s photography transforms images into acts of witnessing,” says curator Zoë Latzer. “Her work makes visible what power seeks to erase and invites us to confront the agency, courage, and resilience of those who are often made invisible.”
And Yet, We See transforms the gallery into a space of witness, reflection, and engagement, offering audiences the opportunity to experience photography as both image and immersive encounter.
Born in Tehran, Nasim Moghadam holds an MFA in Studio Art and a BFA in Graphic Design. Her work has been exhibited internationally and at San Francisco Bay Area venues including SFMOMA’s Soapbox Derby, SOMArts, Southern Exposure, Museum of Craft and Design, Minnesota Street Project, Root Division, and Kala Art Gallery.
She has received awards from the Foundation for Contemporary Arts and the H.A.R.D. Foundation, and completed residencies at Recology, Kala Art Institute, Cubberley Artist Studio Program, and Building 180.
January 20, 2026 through April 4, 2026
Days & hours vary, see SF Camerawork’s current hours
Opening Reception With The Artist: Saturday, January 24, 2026, 5:00 p.m. to 7:00 p.m.
Building A, Fort Mason Center for Arts & Culture, 2 Marina Boulevard, San Francisco
Free
Nasim Moghadam’s And Yet, We See is on view at SF Camerawork.
SF Camerwork:
SFCamerawork.org
(415) 487-1011
info@SFCamerawork.org
Nasim Moghadam (Artist):
NasimMoghadam.com
nasimmoghadam77@gmail.com
Zoë Latzer (Curator):
ZoeLatzer.com
Sign up today for the latest news from Fort Mason Center For Arts & Culture.
Join Fort Mason Art, American Indian Cultural District (AICD), Arion Press, FOR-SITE, Goody Café, Haines Gallery, The Interval At Long Now, Museo Italo Americano, SF Camerawork, and the San Francisco Children’s Art Center for the free Fort Mason Art Walk.
Coinciding with FOG Design + Art 2026, enjoy a night of free exhibitions, artist talks, openings and more. Highlighted by Fort Mason Art’s presentation of Anthony McCall: First Light, the Fort Mason Art Walk promises an evening of cultural experiences and community.
Check in at The Store House in Building D starting at 6:00 p.m. Get one free drink ticket (included with registration). Refreshments by Cow Hollow Catering. All events 6:00 p.m. to 8:00 p.m. unless otherwise indicated.
All Fort Mason Art programs are generously supported by San Francisco Grants for The Arts, the FMCAC Board of Directors, and individual contributions to the Fort Mason Fund.
Fort Mason Art and the Kramlich Art Foundation present the Bay Area premiere of the pioneering British artist’s revolutionary “solid light” works from the early 1970s. The exhibition features three seminal pieces that transformed the possibilities of cinema and challenged the boundaries between film, sculpture, drawing, and performance.
Exhibition tours led by curator Frank Smigiel: 6:30 p.m. and 7:30 p.m.
Gallery 308, Building A

We Are The Land: Between Earth & Sky
Commissioned murals by Jewelina Acosta and Brittany Burrows. A collection of historic posters commemorating decades of Indigenous arts and cultural events held at Fort Mason Center For Arts & Culture (FMCAC), presented by FMCAC resident AICD, is also on view in the lobby.
Building D Lobby
FOR-SITE, in collaboration with WORTHLESSSTUDIOS presents the installation 1-800 Happy Birthday At The Guardhouse. The exhibition opening features ongoing talks by the curator and members of the families of Sean Monterrosa, Mario Woods, and Dujuan Armstrong. Originally created in 2020 as part of the evolution of a film series by EVEN/ODD founder, filmmaker, and artist Mohammad Gorjestani, 1-800 Happy Birthday is a project honoring Black and Brown victims of police killings and systemic racism.
Black Gold Book Launch + Radius Books Pop-Up, 6:00 p.m. to 7:30 p.m.
The Store House, Building D

San Francisco Children’s Art Center invites artists of all ages to join a hands-on artmaking experience. Explore the art of collagraph printmaking to create multi-layered, multi-textured visual expressions from recycled materials.
Building C, First Floor
Haines Gallery hosts the opening reception of Reversals and Revolutions, a new solo exhibition with renowned San Francisco Bay Area photographer Chris McCaw. This highly anticipated exhibition marks McCaw’s first solo showing in San Francisco in nearly a decade, and debuts his newest body of work, “Inverse,” alongside a selection of his signature “Sunburn” prints.
Building C, First Floor
New: Fidan Kim: “While Time Was Quiet” pen and ink sketches. Kim discusses her work. Ongoing: Gabby Custodia “Local Doods” ink doodles. Stop by for free popcorn and food for purchase (Including pop-up SAINT CITY Pizza red and white pies).
Building C, First Floor
Arion Press invites all to visit their Gallery Showroom to peruse and purchase Arion Press publications, get sneak peeks of upcoming and recent releases, and register for public programs and tours.
Building B, First Floor

The Long Now Foundation
“Long-Term Thinking Artifacts Tours”
6:00 p.m. and 7:00 p.m.
Artist Casey Cripe discusses his painting “The Long Now”
6:30 p.m. and 7:30 p.m.
Building A
SF Camerawork presents And Yet, We See, a solo exhibition by Iranian-born photographer and multimedia artist Nasim Moghadam, curated by Zoë Latzer. The exhibition invites audiences to encounter immersive photographic installations that explore visibility, agency, and resilience in the face of erasure.
Building A


Museo Italo Americano presents a live performance by The Mina Project, a musical collaboration dedicated to the jazz and pop songs of Mina (Mazzini).
The Museo’s current exhibition, “Legàmi/Bonds,” connects art, artists, and donors through selected works from their permanent collection.
Building C, First Floor




Friday, January 23, 2026
6:00 p.m. to 8:00 p.m.
Buildings A, B, C, and D, Fort Mason Center for Arts & Culture, 2 Marina Boulevard, San Francisco
Free (Registration Recommended)
Sign up today for the latest news from Fort Mason Center For Arts & Culture.
SF Camerawork presents And Yet, We See, a solo exhibition by Iranian-born photographer and multimedia artist Nasim Moghadam, curated by Zoë Latzer, at Fort Mason Center For Arts & Culture. The exhibition invites audiences to encounter immersive photographic installations that explore visibility, agency, and resilience in the face of erasure.

For more than a decade, Moghadam has developed a practice that transforms photography into sculptural forms and site-specific installations. Her work layers images, textures, and materials to create environments that honor courage, bear witness, and amplify voices often suppressed under surveillance and oppression. Across the gallery, photographs become physical and conceptual gestures, prompting reflection on what it means to see – and to be seen – when power seeks to erase presence.
“In And Yet, We See, Nasim Moghadam’s photography transforms images into acts of witnessing,” says curator Zoë Latzer. “Her work makes visible what power seeks to erase and invites us to confront the agency, courage, and resilience of those who are often made invisible.”
And Yet, We See transforms the gallery into a space of witness, reflection, and engagement, offering audiences the opportunity to experience photography as both image and immersive encounter.
Born in Tehran, Nasim Moghadam holds an MFA in Studio Art and a BFA in Graphic Design. Her work has been exhibited internationally and at San Francisco Bay Area venues including SFMOMA’s Soapbox Derby, SOMArts, Southern Exposure, Museum of Craft and Design, Minnesota Street Project, Root Division, and Kala Art Gallery.
She has received awards from the Foundation for Contemporary Arts and the H.A.R.D. Foundation, and completed residencies at Recology, Kala Art Institute, Cubberley Artist Studio Program, and Building 180.
January 20, 2026 through April 4, 2026
Tuesday through Saturday, 11:00 a.m. to 6:00 p.m.
Opening Reception With The Artist: Saturday, January 24, 2026, 5:00 p.m. to 7:00 p.m.
Building A, Fort Mason Center for Arts & Culture, 2 Marina Boulevard, San Francisco
Free
Nasim Moghadam’s And Yet, We See is on view at SF Camerawork.
SF Camerwork:
SFCamerawork.org
(415) 487-1011
info@SFCamerawork.org
Nasim Moghadam (Artist):
NasimMoghadam.com
nasimmoghadam77@gmail.com
Zoë Latzer (Curator):
ZoeLatzer.com
Sign up today for the latest news from Fort Mason Center For Arts & Culture.
Bringing together an international roster of leading contemporary design and art galleries, FOG Design+Art 2026 presents more than 60 prominent exhibitors at Fort Mason Center For Arts & Culture (FMCAC). FOG offers visitors the opportunity to experience the best of art and design from around the world, all in one place.
FOG Design+Art 2026 is located in Piers 2 and 3 (Gateway Pavilion and Festival Pavilion). The Gateway Pavilion (Pier 2) hosts the FOG FOCUS invitational, which showcases art by emerging artists. FOG FOCUS features more than 15 exhibitors, as well as art installations, activations, and performances on-site.
The 2026 fair includes galleries from Barcelona, Chicago, Hong Kong, London, Los Angeles, Paris, Milan, New York, and San Francisco, among others, with longtime participants and a selection of more than 15 FOG FOCUS galleries; including: Crèvecœur (Paris), François Ghebaly (Los Angeles and New York), Municipal Bonds (San Francisco), and Yutaka Kikutake Gallery (Tokyo).
In addition to the exhibitions on view, the FOG Fair presents FOG Talks, a programming series that explores ideas and issues relevant to the fields of art, design, aesthetics, and the contemporary world, in the FOG Theater. The programs are included free with fair admission.
General Admission tickets are $35 in advance ($38.34 including fees) and $40 after January 21, 2026 (plus fees). The four-day Fair Pass costs $95 in advance ($100.51 including fees) for admission to the Fair, Thursday to Sunday, January 22 to 25, 2026, and $100 after January 21, 2026 (plus fees).
The FOG Design+Art Preview Gala benefiting SFMOMA happens on Wednesday, January 21, 2026, from 4:00 p.m. to 10:00 p.m. Tiered entry tickets range in price from the $250 Supporter level (single entry at 7:00 p.m.) to the $20,000 Titanium Circle packages (10 entries at 4:00 p.m.). Bronze, Silver, Gold, and Platinum ticket packages include early access and prices range from $1,000 to $10,000. For more information, contact FOGPreviewGala@SFMOMA.org or (415) 618-3263.
Wednesday, January 21, 2026 through
Sunday, January 25, 2026
Wednesday, 4:00 p.m. to 10:00 p.m. (Gala)
Thursday, 11:00 a.m. to 7:00 p.m.
Friday, 11:00 a.m. to 7:00 p.m.
Saturday, 11:00 a.m. to 7:00 p.m.
Sunday, 11:00 a.m. to 5:00 p.m.
Gateway Pavilion (Pier 2) and Festival Pavilion (Pier 3), Fort Mason Center for Arts & Culture, 2 Marina Boulevard, San Francisco
$20 to $100
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SF Camerawork (SFC) hosts Charles Victor Brewer – Dear Drag: A Pop-Up Exhibition in Landmark Building A at Fort Mason Center For Arts & Culture (FMCAC). Dear Drag is a heartfelt love letter to Sacramento, CA’s vibrant drag community.

SF Camerawork (SFC) hosts Charles Victor Brewer — Dear Drag: A Pop-Up Exhibition in Landmark Building A at Fort Mason Center For Arts & Culture (FMCAC). Dear Drag is a heartfelt love letter to Sacramento, CA’s vibrant drag community.
Highlighting the spirit, diversity, and creative force of Sacramento drag, this project embraces self-expression, chosen family, and artistic agency through intimate photographic storytelling – celebrating the beauty, resilience, and joy of drag culture.
Through tender portraits and collaborative image-making, Brewer captures the nuances of a community that continues to shape Sacramento’s cultural landscape. Each photograph honors the performer’s individuality while recognizing the shared histories, struggles, and triumphs that bind them together.
The series invites viewers to witness drag not only as performance, but as a powerful mode of self-definition and resistance. By centering the voices and visions of local artists, Dear Drag uplifts the everyday brilliance that sustains queer communities. This pop-up exhibition offers a rare and moving glimpse into a world built on creativity, kinship, and unapologetic authenticity.
Charles Victor Brewer is a visual artist with a passion for photographic storytelling. Brewer finds photography to be one of the most influential and impactful forms of communication within contemporary society and evolutionary history. With photography’s vastness of possibility, the medium creates an exponentially open space for communication, thought and inspiration within daily life, understanding of the world, and as the most previous keepsake of memory.
With a great interest in portrait, editorial, and commercial photography, Brewer’s work displays a range of creativity through a diversely curated portfolio and interests within professional photographic practice. From individual, environmental portraits to large-scale, commercial productions, Brewer is dedicated to working closely with each client in bringing their vision to life through the power of imagery and story.
Brewer has a Bachelors of Fine Art in Photography from California State University Sacramento. He is currently based outside of Sacramento and travels wherever the creative wind blows.



Wednesday through Friday, December 3 to 5, 2025; Thursday through Saturday, December 11 to 13, 2025; Thursday through Saturday, December 18 to 20, 2025; Friday and Saturday, January 2 and 3, 2026; and Wednesday to Friday, January 7 to 9, 2026.
Hours on the above days are 11:00 a.m. to 6:00 p.m.
Opening Reception with the artist:
Saturday, December 13, 2025, 6:00 p.m. to 8:00 p.m.
SF Camerawork, Building A, Fort Mason Center for Arts & Culture, 2 Marina Boulevard, San Francisco
Free
SFCamerawork.org
(415) 487-1011
info@SFCamerawork.org
Charles Victor Brewer:
CharlesVictorPhoto.com
(707) 398 -7480
charles@CharlesVictorPhoto.com
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Join PhotoAlliance for the 2025 lecture series with photographers PhotoAlliance 2025 Lecture: Lukas Felzmann & Yulia Pinkusevich.

Join PhotoAlliance for the 2025 lecture series with photographers Lukas Felzmann and Yulia Pinkusevich. The “PhotoAlliance Lecture Series: Lukas Felzmann and Yulia Pinkusevich” happens in the Bayfront Theatre, Building B, Third Floor, at Fort Mason Center For Arts & Culture on Sunday, November 2, 2025, 5:00 p.m. to 7:00 p.m. ($25).
This evening of compelling discussion highlights each artist’s innovative approaches to contemporary photography and its larger role in visual culture. The artists present an overview of past, present, and upcoming work, as well as field questions from the audience at the end.
Sunday, November 2, 2025
5:00 p.m. to 7:00 p.m.
Bayfront Theatre, Building B, Third Floor, Fort Mason Center for Arts & Culture, 2 Marina Boulevard, San Francisco
$25
Students are always welcome to attend PhotoAlliance lectures for free. Please tell our check-in volunteer you are a student and show your school ID. There is no need for students to pre-register for a ticket in advance.
Join PhotoAlliance for the 2025 lecture series with photographers Lukas Felzmann and Yulia Pinkusevich.
www.PhotoAlliance.org
photo@PhotoAlliance.org
Lukas Felzmann is an artist and educator. He was born and grew up in Zürich, Switzerland and has been living and working in San Francisco since 1981. His work and installations contain sculptural elements, and through photographic means, explore the intersections of the natural and the cultural.
Current themes include our relationship to the landscape, and how we internalize and attempt to control nature (Waters in Between). Another published body of work (Swarm), is an investigation and celebration of flight, musing on the working of natural systems, and how there might be control without hierarchy. The degradation of the marine environment through plastic and other materials is examined in Gull Juju.
Lukas Felzmann’s work has been exhibited internationally, and eight monographs have been published on it. In 2018 Apophenia was published by Koenig Books, London and most recently the books Across / Ground were published by Lars Müller Publishers (2024). Lukas Felzmann taught photography at the Department of Art and Art History at Stanford University for 25 years, and is currently an Affiliated Scholar at the Bill Lane Center for the American West at Stanford University. In 2018 Lukas Felzmann was awarded a Guggenheim Foundation Fellowship in photography.
Yulia Pinkusevich is an artist and educator born in Kharkiv, Ukraine (USSR). Upon the collapse of the Soviet Union, her family fled the eastern bloc as refugees, immigrating to New York City. She holds a Master of Fine Arts from Stanford University and Bachelor of Fine Arts from Rutgers University, Mason Gross School of the Arts. Yulia has exhibited nationally and internationally including site-specific projects executed in Paris, France and Buenos Aires, Argentina and London, UK.
Yulia’s art is in the public collection of the deYoung Museum (Fine Art Museums Of San Francisco), Stanford University, Facebook/Meta HQ, Google HQ, Recology and the City of Albuquerque amongst others. She has been awarded a 2024 Smithsonian Artist Research Fellowship at the National Air and Space Museum. Other fellowships include Gray Area Arts Foundation, Wassaic Project, Lucid Arts Foundation, Autodesk Pier 9, Recology, Cite des Arts International (Paris), Headlands Center for the Arts, and Vashon AIR amongst others. Yulia has lectured at Stanford University and is currently an Associate Professor of Studio Art at the College of Art Media and Design and Mills College of Northeastern University in Oakland, CA. She lives and creates works on unceded Ohlone territory. Yulia’s work is represented by Kutlesa Gallery, Switzerland/New York.
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SF Camerawork hosts Tricia Rainwater: The Tellings We Keep in Landmark Building A at Fort Mason Center For Arts & Culture.

SF Camerawork (SFC) hosts Tricia Rainwater: The Tellings We Keep in Landmark Building A at Fort Mason Center For Arts & Culture (FMCAC). The Tellings We Keep is an invitation residency exhibition.
The exhibition is on view Thursday to Saturday, November 20 to 22, 2025 and Monday to Wednesday, November 24 to 26, 2025. Hours on those days are 12:00 p.m. (Noon) to 6:00 p.m. The Opening Reception took place on Saturday, October 11, 2025, 5:30 p.m. to 7:30 p.m.
An “Artist Talk” with Rainwater and SFMOMA Assistant Curator Of Photography Delphine Sims takes place in the gallery on Saturday, November 21, 2025, 6:00 p.m. to 8:00 p.m. Donation requested. (Register in advance.)
The Tellings We Keep is a living archive – an offering of memory and survival. It traces what endures, what has been mourned, what hasn’t, and shines a light on what might fall through the cracks.
The Tellings We Keep unravels the complexities of separation – of being pulled from family and community by wounds older than one’s own birth. This body of work moves as prayer and song. It carries the stories others might dismiss, inviting viewers to linger in their ache, to witness what resists forgetting.
Through self-portrait photography, sculpture, and installation, Rainwater examines the entanglements of body and memory – what it means to live in a body once denied its own autonomy. Her images become vessels, carving out space for self and for home. Drawing on Choctaw ancestral designs, she dreams into being a geography remembered through childhood tellings and the echoes of land half-known, half-missed.
Tricia Rainwater is a Choctaw multimedia artist based in the San Francisco Bay Area, with roots in the Central Valley and New Mexico. Her artistic portfolio, which includes self-portraiture, sculpture, large-scale murals, and installations, has been featured at the Berkeley Center for the Arts, ICA San Francisco, MOCA Toronto, and with Muz Collective, ICA San Jose among others.
In 2022, Rainwater received a grant from the San Francisco Arts Commission to trace the Choctaw Trail of Tears. Rooted in themes of identity and grief, her work offers a perspective through the lens of a Choctaw survivor. Through her art, Tricia confronts and resists loss by revisiting sites of pain, creating spaces for personal and collective healing. CV
Thursday to Saturday, November 20 to 22, 2025 & Monday to Wednesday, November 24 to 26, 2025
Tuesday through Saturday, 12:00 p.m. (Noon) to 6:00 p.m.
SF Camerawork, Building A, Fort Mason Center for Arts & Culture, 2 Marina Boulevard, San Francisco
Free
SF Camerawork hosts Tricia Rainwater: The Tellings We Keep in Landmark Building A at Fort Mason Center For Arts & Culture.
SFCamerawork.org
(415) 487-1011
info@SFCamerawork.org
Sign up today for the latest news from Fort Mason Center For Arts & Culture.
Join PhotoAlliance for the 2025 lecture series with photographers John Divola and Austin Leong.

Join PhotoAlliance for the 2025 lecture series with photographers John Divola and Austin Leong. The “PhotoAlliance Lecture Series: John Divola and Austin Leong” happens in the Bayfront Theatre, Building B, Third Floor, at Fort Mason Center For Arts & Culture on Sunday, October 12, 2025, 5:00 p.m. to 7:00 p.m. ($25).
This evening of compelling discussion highlights each artist’s innovative approaches to contemporary photography and its larger role in visual culture. The artists present an overview of the past, present, and upcoming work, as well as field questions from the audience at the end.
Sunday, October 12, 2025
5:00 p.m. to 7:00 p.m.
Bayfront Theatre, Building B, Third Floor, Fort Mason Center for Arts & Culture, 2 Marina Boulevard, San Francisco
$25
Students are always welcome to attend PhotoAlliance lectures for free. Please tell our check-in volunteer you are a student and show your school ID. There is no need for students to pre-register for a ticket in advance.
Join PhotoAlliance for the 2025 lecture series with photographers John Divola and Austin Leong.
www.PhotoAlliance.org
photo@PhotoAlliance.org
John Divola has taught photography and art at numerous institutions since 1975, and since 1988 he has been a Professor of Art at the University of California, Riverside, where he is currently Distinguished Professor Emeritus.
His most well-known projects are Zuma (1977-78), documenting an abandoned beachfront house and its degradation and transformation through time; Vandalism (1973-75), an exploration of his own mark-making in abandoned spaces; As Far as I Could Get (1996-97), where the artist set his tripod and self-timer and took off running; and Dogs Chasing My Car In The Desert (1996/98), humorous images of blurred canines in hot pursuit shot from his car window.
Divola’s work has been featured in more than 90 solo exhibitions in the U.S. Japan, Europe, Mexico, and Australia, and more than 200 group shows. Among Divola’s awards are Individual Artist Fellowships from the National Endowment for the Arts (1973, 1976, 1979, 1990), a John Simon Guggenheim Memorial Fellowship (1986), a Flintridge Foundation Fellowship (1998), a City of Los Angeles Artist Grant (1999), and a California Arts Council Individual Artist Fellowship (1998).
Currently, John Divola works primarily with photography and digital imaging. While he has approached a broad range of subjects, he is now focused on moving through the landscape, looking for the oscillating edge between the abstract and the specific.
Austin Leong is a Chinese-American photographer living in Oakland, CA whose work includes equal parts humor, empathy, and nostalgia to produce photos from a keen eye trained on the street. His work chronicles contemporary Californian existence, where he walks, drives, and bike rides through parks and suburban sprawls. Not one to overlook the mundane, Leong looks for moments where the everyday offers some moment of greater significance.
He has exhibited widely, with recent solo and group shows at the San Francisco Museum of Modern Art, Minnesota Street Project, Pier 24 Photography, the Center for Photographic Art, and Climate Control. Leong’s work is held in the collections of SFMOMA, the Asian Art Museum of San Francisco, Pier 24 Photography, and the Houston Museum of Fine Arts. His work was published in the book Soft Eyes (Deadbeat Club, 2024), a collaboration with photographers Adrian Martinez and the late Henry Wessel, and builds on earlier publications including On the Fence (2020) and Our Time Together (2017). His photography has appeared in publications such as The New York Times, The Atlantic, and the San Francisco Examiner.
He received his BA in Sociology from San Francisco State University and co-directs Book and Job Gallery, a photographer-run studio, darkroom, and gallery space in San Francisco’s Tenderloin neighborhood.
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Visit Fort Mason Center for Arts & Culture to view glamorous precious objects in room-like settings created by nearly 50 U.S. and international dealers at the San Francisco Fall Show. Art | Antiques | Design.

Visit the Festival Pavilion at Fort Mason Center for Arts & Culture to view glamorous precious objects in room-like settings created by nearly 50 U.S. and international dealers at the San Francisco Fall Show. Art | Antiques | Design. See glittering installations with decorative and fine arts from many styles and periods – American, English, Continental, Asian, and more – while admiring furniture, glass, ceramics, jewelry, silver, textiles, paintings, photographs, prints, books, sculpture, art objects, and other items.
The San Francisco Fall Show is the longest running art, antiques, and design fair on the West Coast, renowned and respected across the globe and a beloved and integral part of the San Francisco Bay Area’s art and design communities.
Programs include a lecture series (Thursday through Saturday, October 16 through 18, 2025, at 11:00 a.m., 2:30 p.m., and 4:30 p.m.; Sunday, October 19, 1:00 p.m.) book signings, cocktail hour talks, designer events, and more. Many events are included with admission while others have an additional fee. Tickets for the Wednesday, October 15 2025 opening night gala start at $400 ($425.59 with fees). Show day tickets are $20 ($22.79 with fees). Lecture tickets (show ticket also required) range from Free to $25 ($28.10 with fees) to $50 ($54.59 with fees).
Wednesday, October 15, 2025 through
Sunday, October 19, 2025
Wednesday, 5:00 p.m. to 10:00 p.m.
Thursday, 10:30 a.m. to 7:00 p.m.
Friday, 10:30 a.m. to 7:00 p.m.
Saturday, 10:30 a.m. to 7:00 p.m.
Sunday, 11:00 a.m. to 5:00 p.m.
Festival Pavilion (Pier 3), Fort Mason Center for Arts & Culture, 2 Marina Boulevard, San Francisco
$20 to $400 ($22.79 to $425.59 with fees)
Visit Fort Mason Center for Arts & Culture to view glamorous precious objects in room-like settings created by nearly 50 U.S. and international dealers at the San Francisco Fall Show. Art | Antiques | Design.
SFFallShow.org
(415) 917-7780
info@SFFallShow.org
Sign up today for the latest news from Fort Mason Center For Arts & Culture.