Arts programming remains a focus in 2018. FMCAC Presents started the year strong with Isaac Julien Playtime,
an ambitious exhibition of three video installations, and Bay area-based Sofie Ramos brightened the entry gate with the installation Space to Breathe.
The landscape of campus continues to change, with the highly-anticipated beer hall Radhaus
opening in August.
Isaac Julien Playtime
Radhaus's modern Bavarian beer hall
Sofie Ramos: Space to Breathe
Two new residents joined the campus in 2017: Equator Coffees & Teas
added a new location at the Gatehouse, and San Francisco Art Institute
opened its AIA award-winning graduate campus on Pier 2. The critically-acclaimed Sophie Calle Missing
saw the French conceptual artist take over campus with four powerful projects, her most extensive exhibition to date in the US.
Sophie Calle: Missing
Equator Coffees & Teas
SFAI's award-winning renovation
In 2015 Fort Mason Center underwent a rebranding -- including changes to its name: Fort Mason Center for Arts & Culture (FMCAC), and logo: unifying its arts and military histories -- to reflect its continued growth as cultural epicenter in San Francisco. Other additions in 2015 included the move of Flax art & design
to the campus, the opening of Gallery 308
, the California premiere of world renowned "The Forty Part Motet
" by Janet Cardiff, and an expanded arts programming schedule.
"The Forty Part Motet," photo by JKA Photography
FLAX art & design
The newly refurbished Gallery 308
at The Long Now Foundation
– a one-of-a-kind space that’s part bar and part museum – opened. The bar/museum features one of Jung Lehni’s drawing machines, artwork by Brian Eno, and a 10,000-year clock.
The 10,000 year clock
Part cafe, part bar, part museum
Brian Eno art piece
The world renowned Creator’s Project
transformed Fort Mason Center into a colossal two-day art and technology festival featuring towering multimedia art installations, live music performances, film screenings, and panels.
The year 2012 also saw the installation of SEAT
, an outdoor event across the campus featuring chair-inspired art. Pulling from Fort Mason Center’s history and setting, artists exhibited unique designs using nontraditional materials in the production of 30 outdoor seats.
United Visual Artists "Origin" as part of The Creator's Project
Chris Milk “The Treachery of Sanctuary” as part of The Creator's Project
One of the SEAT pieces by Nilus de Matran
On UN World Environment Day 2005
, which corresponded with the United Nations 60th Anniversary, Fort Mason Center hosted a week-long symposium about the future of the planet. Al Gore delivered the keynote address only months before the Oscar-winning An Inconvenient Truth
Image via Flickr/Erik Charlton
"an inconvenient truth" movie poster
Resident organization BATS Improv
, the longest-running improvised theater company and school in Northern California, was hosting director Shaun Landry’s "Oui Be Negros
," when Landry invited Robin Williams to a performance. Not only did Williams show up, he brought Woody Harrelson with him, who was in San Francisco to act in Sam Shepard’s play, The Late Henry Moss
at the Magic Theatre. But as typical with Williams’ stories, he didn’t just sit there –- he got up on stage and performed
Robin Williams; photo by Eva Rinaldi/Flickr
The audience at BATS Improv
Shaun Landry’s "Oui Be Negros" original cast; photo by Hvsobn/Wikipedia
The NAMES Project AIDS Memorial Quilt
returned to San Francisco for a large-scale west coast debut at Fort Mason Center's Festival Pavilion. Comprised of thousands of patches representing loved ones who have died of AIDS, the quilt was created in SF in 1987.
Poster announcing the quilt's return to San Francisco
The quilt on display in Washington D.C.
An aerial shot of the quilt in Washington D.C.
Steve Jobs and Bill Gates; photo by Joi Ito/Flickr
Windows 98 logo
In 1980, Fort Mason Center became known on a global scale when it was picked as the location for a trade show from the People’s Republic of China
. The exhibit was the first stop in the U.S. before Chicago and New York, and at the time featured the largest display of Chinese products ever sent abroad.
Two years later, in 1982, The Mexican Museum
– which later became the oldest museum in the United States to focus solely on Mexican and Mexican American art – moved to Fort Mason Center. And following in 1985, the Museo Italo Americano
also moved to Fort Mason Center: the first museum in the United States devoted exclusively to Italian and Italian-American art and culture.
A line forms outside the Festival Pavilion for the trade show
A performance at The Mexican Museum
Museo Italo Americano
In 1978, the year following the Magic Theatre
’s move to the Fort Mason Center, saw the world premiere of resident playwright and actor Sam Shepard’s "Buried Child
," under the directorship of Robert Woodruff. The play would go on to win a Pulitzer Prize for Drama in 1979, and spawn over 400 productions around the world.
Also in 1979, Greens Restaurant
opened, a place the New York Times
would later go on to say was “the restaurant that brought vegetarian food out from sprout-infested health food stores and established it as a cuisine in America.”
Sam Shepard at FMCAC; photo: Magic Theatre
The entrance to Greens Restaurant
Chef Annie Somerville of Greens Restaurant
In the agreement of taking Fort Mason into the newly formed Golden Gate National Recreation Area (GGNRA), the space would have to, according to the National Park Service (NPS
), “pioneer in the imaginative use of urban national parklands and to reflect and preserve the diverse culture of the San Francisco Bay Area.” A group answered the call to do this, coming together as the Fort Mason Foundation (later named Fort Mason Center); they immediately started the task of refurbishing the dilapidated campus.
And after many months of scrubbing, wiring, and an endless assortment of other repairs, Fort Mason Center was officially founded and opened to the public January 1, 1977. Soon after, Bay Area arts nonprofits began their move to the campus.
A member of Young Performers Theater, one of the early resident organizations that's still here today
Oceanic Camp was one of the original resident organizations
PAW (Performing Arts Workshop) another original resident organization
After a decade of sitting in disrepair, the tides were turning at Fort Mason and other abandoned parcels of government-owned land. After a group of American Indians took over the then-empty Alcatraz Island in 1969, public gaze fixated on land use in the Bay Area and beyond; the federal government paid close attention to proposed developments and plans for public use.
In response to the Nixon administration’s recommendation to set aside 4,000 acres of federally held fort lands, Representative Philip Burton (D-San Francisco) proposed a “base bill” (HR 9498) in the summer of 1971, which led to the creation the Golden Gate National Recreation Area
(GGNRA) in 1972. And included in the initial parcel of land that was established as the GGNRA was an abandoned military fort: Fort Mason.
Proposed development for Fort Mason; image from SPUR Newsletter, June 1970
Nixon visiting the new GGNRA in 1972; photo from NPS
Map of GGNRA; photo from NPS
After the Korean War (1950-1953), military use of Fort Mason dropped off exponentially as nearby military ports took over solider embarkation and supply exportation. And in 1962, after 165 years since Fort Mason became a fort, the U.S. Army left.
Image of Pier 1 in the mid-1950s; photo courtesy of NPS
Fort Mason in 1960
Shipping out from Fort Mason in 1954
During WWII Fort Mason was a buzz of activity -- over 2.5 million troops left from the three piers -- serving as the last place these soldiers touched American soil before entering the battle zone in the Pacific. It’s also the first place they touched American soil upon their return. Sadly, for the fallen soldiers, it was also the place of their return – every body recovered went through Fort Mason before returning to the soldier’s family for burial.
Just a few of the 2.5 million troops that left from Fort Mason
Soldiers return from war
A soldier reunites with his family
As WWII began, Fort Mason’s intricate role in the U.S. Army only intensified. After the bombing of Pearl Harbor, the quick rebuild of Hawaiian U.S. military outposts were due in large part to Fort Mason’s proximity –- all the materials for the Hawaiian rebuild left from the three piers.
And as more U.S. citizens enlisted, the number of active military personnel working at Fort Mason grew. Among them was Ronald Reagan
, who, due to poor eyesight could not work overseas, and therefore served as liaison officer of the Port and Transportation Office in April of 1942 before a transfer to another fort.
Men embarking for war in the Pacific
Pier 2 full of supplies
Ronald Reagan during his military years
As the 20th century commenced, Fort Mason entered its most active military phase yet: troops and supplies heading to locations throughout the Pacific began to leave from the shoreline. And as traffic increased, the U.S. military undertook a massive project, building three, large piers at the end of the fort. And by the time WWI broke out across the globe, Fort Mason’s role as an embarkation point for war was cemented into the larger context of history.
The building of Pier 2 in 1912
Pier 2 upon completion
Map of San Francisco from 1915; a completed Fort Mason is to the right
The Mexican Army saw the same advantages the Ohlone did of the coastline west of Black Point, and in 1797 set up the first fort on the site. But as U.S. expansion moved westward, and the Gold Rush enveloped California, the U.S. military took ownership of the land, making it an official U.S. Army outpost -- Fort Mason -- in 1850: the year California entered the Union.
San Francisco in 1851
San Francisco Bay in 1850
"View of San Francisco in 1850" by George Henry Burgess
were the original dwellers of what’s now Fort Mason Center for Arts & Culture. Black Point, which is directly adjacent to the campus, was a natural peninsula into the bay, and they likely pushed their boats into the water from where piers 1-3 now reside.
The Ohlone on the San Francisco Bay
Painting depicting the view of San Francisco; painting by Louis Choris
Humaya Singers and Dancers of the Rumsen Ohlone Tribe; part of World Arts West